Paper Altars

Poetry Page #2

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Editors' Ink
"Gilded Cage" (Artwork)
"Prayer" (Artwork)
"Duality" (Artwork)
"Mental Block" (Artwork)
"Broken Wings"(Artwork)
Photography (Artwork)
"Finding Salvation on the Floorboard"
"The Lies We Tell Ourselves"
"Keepsakes"--A Play of Memory in One Act
"Ruby"
"Flipping Switches"
"House of Dreams"
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"Enduring Eden"

 

Standing upon the midnight sand

in the darkness between chaos

and creation, I saw a shooting star.

 

Memory’s current led me back

to the erotic pressure of your hands around

my waist and your lips brushing my hair.

 

In our dusky Eden, we watched a ray

sacrificed over the dock’s edge

and cringed as it crashed into the waves.

 

How could we know in our pity

that Misfortune looked upon us then

and turned to claim our passion as her due?

 

Remembering that moment when I knew

only the beauty of your promises,

my wish was made.

 

"Your Place or Mine?"

An Abstraction of the Single Life

 

In the market of redemption, people watch

as sinners stand naked on the auction block

begging for someone to love them.

 

People whisper about the red haired woman

who is next in line. Her hands placed

demurely over her sex. Her bare breasts

piqued by the biting evening air.

 

“What is she doing?” they all ask—as if

they have never done it themselves.

Longing to escape the misery, to rip the scabs
from her suffering and pain.  Willing to let others

watch her weep.

 

She steps up and is sold to a tyrant

with plenty of gold. She is satisfied.

 

Behind the ruby locked beauty stands

a bashful blonde male. He makes no effort

to hide his flaccid penis

or his broken heart.

His hair, long and full, sweeps

against his neck and he brushes it

away like a tear. He is sold cheaply to be used

at the whim of a cruel woman.

 

Next, a raven haired princess

takes her place to be viewed. She does not bear her wounds

on face or body, for she does not care to be loved

at such a high price.

No one bids.

Her desperation is not yet tangible,

but she will come back soon—like all the others.

 

It’s always the same.

Eyes blanketed in tears, cheeks washed with shame—

embarrassment.

An ache has been put on display for all to see.

A desire to be needed, cherished, and perhaps loved…

men and women stand,

pleading with beseeching glances and abject gestures

for someone to take them home and make them whole.

 

"Guerilla Genius"

 

In the break where frame covers canvas

you will find unrecognized genius,

Like the ambient sounds of film

the cracks of sculpture,

the absentminded brushstroke,

the accidental photograph. Their truth

is beyond intention, revelations

even the Creator did not intend.

 

"Home Again"

 

As I stand looking into a barren refrigerator

full of nothing but half empty boxes of Chinese food

and bottles of flat Coke, the cool manufactured air

reminds me of my own shortcomings.

I don’t know what I’m hungry for anymore.

 

As I gaze, the cool air fades to a baby blue gingham kitchen

in a spring miles away in my childhood.

To cast iron skillets on a wall above a well-scrubbed

white gas stove, and a happy frog patiently holding a sponge in

its lips near the sink.

Why is it that when I get lost, I always find myself here?

 

I turn and see Granny working by the sink, kneading dough with her hands—

so soft they almost aren’t real, so cool as they held mine

or touched the side of my face.

Happily singing “Victory in Jesus” in a fragile soprano lilt,

she patiently pulls and tugs until the bread is ready to rest,

covers it with a bowl, and heads out to the garden.

 

Fresh peas, tomatoes red and ripe, cucumbers, squash—

All so fresh. Clean.

I wipe a tomato on my sleeve and bite into its cool center

feeling the crisp crunch and the earthy juices on my tongue.

The grass, the goodness, the promise of sun tea brewing on the back porch.

It’s good to be home again.

 

With a sigh, warmth fades back to synthetic cool

and I am left staring at the same empty appliance,

with tears on my cheeks,

a belly full of good memories, and suddenly

I’m not hungry anymore.

 

"Hurricane"

 

We erect altars of stone and steel

to celebrate our own majesty,

only to watch them abandon their

prideful perches when faced with God's wrath.

 

Society braces the limbs and ignores

the root of all illness--

our yellow envy of His ability

to create and destroy.

 

But we mimic well, and teach

our children hatred.

To create apocalypse

at the touch of a shiny button.

 

"I Do"

 

Marble words fall from frozen lips

in the cold canyon of the chapel

that looms leviathan over the bride

draped in her silken, sad uncertainty.

 

Beautiful and isolated

she is led passively down the aisle.

The veil is lifted to reveal

a future she did not plan.

Hand passed from father to son

in law, she is doubly shackled

by a band of gold.

 

Smiling numbly, she observes guests

in Nazi straight rows, feeling

nothing.

Desiring to disgorge the choking words

wedged in her mouth with a silver spoon.

Nothing escapes.

 

She stands, gazing at stone-faced saints

dripping with the anguish of martyrdom

and remembers that Jesus once said,

“I am the light of the world.”

 

But all is darkness today.